© » KADIST
Roman Ondak
“A man wanders near the windows of a gallery, situated adjacent to the street. He occasionally gazes through windows into the gallery but never enters.” Passersby are numerous since these windows are by a tram stop on a busy street. It is surprising to note how few of them take any notice of this man peering repeatedly through the slightly tinted glass into an empty meeting room with no distinctive signs to be seen.
© » KADIST
Roman Ondak
Drawing & Print (Drawing & Print)
As the caption purposely admits, these drawings were made by friends of Ondák’s at home in Slovakia asked to interpret places he has journeyed to. The description of the blond artist wearing the same outfit and bag in places of transit like airports, stations or streets are faithful in straightforward (verging on naïve) styles. His own skill as artist is displaced and delegated to others with no particular gift in draftsmanship.
© » KADIST
Julius Koller
Drawing & Print (Drawing & Print)
Wordplay was a central focus of Koller’s work, in particular the acronym U. F. O., which he adapted in his diagrammatic drawings to stand variously for Univerzálna Futurologická Organizácia (Universal Futurological Organization, 1972–3), Univerzálny Filozoficky Ornament (Universal Philosophical Ornament, 1978) or Underground Fantastic Organization (1975), and which also appeared in a series of slapsticky self-portraits titled ‘U. F. O.–naut’ (1970–2007). These infinite variations on a common cipher constituted an insistent incantation of the Utopian principle.
© » KADIST
Julius Koller
Wordplay was a central focus of Koller’s work, in particular the acronym U. F. O, which he adapted in his diagrammatic drawings to stand variously for Univerzálna Futurologická Organizácia (Universal Futurological Organization, 1972–3), Univerzálny Filozoficky Ornament (Universal Philosophical Ornament, 1978) or Underground Fantastic Organization (1975), and which also appeared in a series of slapsticky self-portraits titled ‘U. F. O.–naut’ (1970–2007). These infinite variations on a common cipher constituted an insistent incantation of the Utopian principle.
© » KADIST
Julius Koller
This work is one of Koller’s many variations which he began to use from 1970 to describe the ‘cultural situations’ he created. His “Anti-Happenings” turned mundane events into ‘cultural’ and ‘subjective’ situations. He sought to create new cultural situations that weren’t new art, but rather new ways of living: a new creativity for a new humanistic culture.
© » KADIST
Julius Koller
Drawing & Print (Drawing & Print)
Anti-Happening refers to Koller’s 1965 manifesto, ‘Anti-Happening (System of Subjective Objectivity)’. In opposition to the notion of a ‘happening’ as a way of actualising group identity, in his manifesto, Koller stated that his concept of the ‘anti-happening’ aimed at a ‘cultural reshaping of the subject, at awareness, at the surroundings and the real world’ [i] . Unlike happenings, these actions do not involve the staging of psychologically expressive performances.
© » KADIST
Rabih Mroué
The Pixelated Revolution is a lecture-performance by artist Rabih Mroué about the use of mobile phones during the Syrian revolution. The lecture looks at the central role that the photographs taken with these devices played in informing and mobilizing people during the revolutionary events, due to their ability to be shared and spread through virtual and viral communication platforms.
© » KADIST
Roman Ondak
This work needs to be considered in relation to one of his performances during which people were made to queue in front of the Kunsthalle of Frankfurt in 2003 (Tate Collection). In this instance Ondak collected images of people queuing in front of all sorts of buildings in various newspapers. He then inserted these in a Slovakian newspaper without trying to give any coherence with the information in the text on the same page.
© » KADIST
Julius Koller
The photograph Monologic – Yo-Yo 1, 2 (U. F. O. ), (1982), shows Koller playing with a big white Yo-Yo in a drab concrete building among a group of tower blocks.
© » KADIST
Trisha Donnelly
Untitled is a black-and-white photograph of a wave just before it breaks as seen from the distance of an overlook. Donnelly’s interest in the waveform–visually, aurally, and perceptually–is made manifest in works across multiple media, including photography, drawing, video, sculpture, and performance.
© » KADIST
Paul McCarthy
Drawing & Print (Drawing & Print)
To make Mickey Mouse (2010), Paul McCarthy altered a found photograph—not of the iconic cartoon, but of a man costumed as Mickey. On his shoulders he supports an enormous false head, Mickey’s familiar face grinning with glossy eyes. The artist has marked out in heavy black the background of Cinderella’s castle.
© » KADIST
Tino Sehgal
Tino Sehgal’s This Exhibition requires an interpreter (in this particular piece, a gallery attendant) to faux faint each and every time a visitor enters into a given space. Upon hitting the cold, hard gallery floor, the seemingly confused interpreter writhes slowly on the ground while reciting a few lines from the curatorial statement in a whispered moan.
© » KADIST
Paul McCarthy
McCarthy’s Mother Pig performance at Shushi Gallery in 1983 was the first time he used a set, a practice which came to characterize his later works. Here, McCarthy squirts liquid out of a bottle held near his crotch onto a stuffed animal in the shape of a lion. The costuming, materials, and simulated bodily functions frequently appear in McCarthy’s work, which often disturbingly juxtaposes visceral and startling manipulation of the body with the cheerful artifacts of popular consumer culture.
© » KADIST
Paul McCarthy
Memory Mistake of the Eldridge Cleaver Pants was created for the show Paul McCarthy’s Low Life Slow Life Part 1 , held at California College of the Arts’s Wattis Institute in 2008 and curated by McCarthy himself. In homage to an influence in his early career, McCarthy attempted to reconstruct a pair of pants worn by Black Panther revolutionary Eldridge Cleaver in a picture that appeared in Rolling Stone magazine in the 1970s. But in the process, McCarthy misremembered their original design of the pants, which had black outer panels and white inner panels in white, and left a black shape highlighted in the crotch area.
© » KADIST
General Idea
AIDS Ring by General Idea is a cast metal ring, which takes as its basis Robert Indiana’s iconic “LOVE” design, appropriating its pop aesthetic, and totalizing, simplistic universal messaging to instead emphasize the severity of the AIDS epidemic that occurred in the 1970s. This visual detournement of Indiana’s sculpture into the form of a ring is an indictment of pop art’s apolitical nature, as well as of its increasingly commodified status. General Idea instead proposes that art’s expansive platform for messaging be used to spread awareness and create accountability for political negligence of the AIDS epidemic.
© » KADIST
Paul Kos
Sound of Ice Melting is based on the ancient Zen Buddhist koan about the sound of one hand clapping. Here, Kos has surrounded two twenty-five-pound blocks of ice with eight microphones that call to mind the political press conferences prevalent during the Vietnam War era when this piece was created. Zen practice values such absurdity as a way to transcend the limitations of ordinary discourse and rational thought—empirical processes at the root of all political conflicts.
© » KADIST
Paul Kos
Parked on the shoulder of a single lane highway running through a desert landscape, Marlene looks over her shoulder from inside the car at a fierce storm looming over a distant horizon. Turning her head toward and away from the scene she says, “When I look for the lightning it never strikes, but when I look away it does.” And indeed, the lightning does seem to strike only when she turns away. Before filming Lightning , Paul Kos had done a fair amount of research on lightning, much of it conducted at the lightning research lab at the University of Colorado.
© » KADIST
Paul Kos
Taking its title from the eponymous mythological creature—famously featured as sea nymphs in Homer’s Odyssey. Sirens exist in literature across many cultures including Ancient Greece and India, described as part bird and part woman, or like a mermaid. They were said to charm men by their song, and, having first lulled them to sleep, tear them to pieces.
© » KADIST
Lynn Hershman Leeson
Hershman Leeson’s documentary, Women Art Revolution (W. A. R.) draws from hundreds of hours of intimate interviews with her contemporaries—visionary artists, historians, curators and critics—who recount their fight to break down the barriers facing women both in the art world and society at large. The film features an original score by Carrie Brownstein, formerly of the band Sleater-Kinney.
© » KADIST
Yan Xing
The title of this series – Two videos, three photographs, several related masterpieces and American art – is paradoxical, suggesting the work is conceived in relation to its medium and a situation in art history and the region of the world in which it was made. Paradoxical but in the end, often true of the way in which art history is written. The presence of black men and the term “American Art” brings us back to Robert Mapplethorpe’s Black Book .
© » KADIST
Native Art Department International
The neon sign Walk the Walk (Sam Durant) overlays a Walk/Don’t Walk Sign crosswalk sign onto the text “You Are On Indian Land Show Some Respect.” The sign asks viewers to not walk on Indigenous lands without respecting it, and, switching between a walking person icon in white and a raised hand icon in red, redirects their actions. This work by Native Art Department International signals a reminder that we–the audience and institution–are located on and occupy traditional territories. The work appropriates and twists white artist Sam Durant’s You Are On Indian Land Show Some Respect (2008) in response to his work Scaffold (2012) installed in 2016-7 at the Walker Art Center in Minneapolis.
© » KADIST
Sung Hwan Kim
Drawing & Print (Drawing & Print)
Sung Hwan Kim created the drawing push against the air 01 during a rehearsal for his eponymous 2007 performance at De Apple (as part of Prix de Rome), Amsterdam, and Project Arts Centre, Dublin. For the performance, Kim interviews his frequent collaborator David Michael DiGregorio and a fellow musician, Byungjun Kwon, about love songs they have composed. The performance appears spontaneous and creates a space of vulnerability and intimacy, however in reality, the three rehearsed the performance numerous times and performed it in numerous cities.
© » KADIST
Agatha Gothe-Snape
Agatha Gothe-Snape’s POWERPOINTS is an ongoing series of digital artworks that have been created with Microsoft PowerPoint. They are endless loops with sound. POWERPOINTS parallel Gothe-Snape’s broader conceptual practice stemming from improvisational performance.
© » KADIST
Duto Hardono
Variation & Improvisation for ‘In Harmonia Progressio’ by Duto Hardono is part of a series of work that focuses on sound loops as a fundamental element of his performance – a metaphor that Hardono employs as he examines the human condition, such as time and temporal spatiality. Unlike other works, where he generates sound using analog cassette tapes, this performance uses the human voice. Participants are instructed to vocalize ‘In’, ‘Harmonia’, and ‘Progressio’ – words that make up a Latin phrase which means “progress inside harmony”.
© » KADIST
Lenio Kaklea
During the performance A Hand’s Turn visitors are invited to read a text: “I hold a pen with the right hand / move the mouse with the right hand” reads one excerpt. While reading through the instructions the performer’s hands go through a precise choreography. The performance lasts 30 minutes and includes only 2 people at a time.
© » KADIST
Helina Metaferia
By Way of Revolution is a series that addresses the inherited histories of protest that inform contemporary social movements. In the project Metaferia works intrinsically with female descendants of prominent historical black activists to produce video art; with women of color organizations to produce socially engaged work; with “radicalism” archives and performance stills to produce works on paper and tapestries; and with museum, gallery, and public spaces to produce participatory performances. Tapestry (Gewel) is one of a series of tapestries that are all subtitled with names of traditional storytellers from across the African continent.
Julius Koller
- location: Pieštany, Slovenská Republika
- year born: 1939
- gender: male
- nationality: Slovakian
Paul McCarthy
- location: Los Angeles, California
- year born: 1945
- gender: male
- nationality: American
- home town: Salt Lake City, Utah
Paul Kos
- location: San Francisco, California
- year born: 1942
- gender: male
- nationality: American
Roman Ondak
- location: Zilina, Slovenská Republika
- year born: 1966
- gender: male
- nationality: Slovakian
Pablo Helguera
In addition to a long and diverse career as an artist, performer and writer of over a dozen books, Pablo Helguera has worked in the education departments of key institutions such as the Guggenheim Museum (1998-2005) and MoMA (2007-2020)...
General Idea
The Canadian artist collective General Idea (Felix Partz, Jorge Zontal and AA Bronson), active from 1967-1993, was an instrumental source of early conceptual art through their multidisciplinary practice...
Prinz Gholam
Prinz Gholam is a Berlin-based artist duo consisting of Wolfgang Prinz and Michel Gholam...
Duto Hardono
Duto Hardono is a conceptual artist and educator...
Moe Satt
Moe Satt is a Burmese visual and performance artist who uses his own body as a symbolic field for exploring self, identity, embodiment, and political resistance...
Taiyo Kimura
Taiyo Kimura works with sculpture, video, and installation and uses everyday objects, humor, and music to questions the meaning of ordinary life...
Yan Xing
- location: Beijing, China
- year born: 1986
- gender: male
- nationality: Chinese
- home town: Chongqing, China
Tino Sehgal
- location: Berlin, Germany
- year born: 1976
- gender: male
- nationality: British-German
- home town: London, United Kingdom
Nao Bustamante
California-born and internationally recognized, Nao Bustamante cut her teeth as an artist between 1984 and 2001 in San Francisco where she studied in the New Genres department at the San Francisco Art Institute...
Native Art Department International
Native Art Department International is a collaborative project created in 2016 and administered by Maria Hupfield and Jason Lujan...
Trisha Donnelly
- location: New York, New York
- year born: 1974
- gender: male
- nationality: American
- home town: San Francisco, California
Lynn Hershman Leeson
- location: San Francisco, California
- year born: 1941
- gender: female
- nationality: American
- home town: Cleveland, Ohio
David Horvitz
Although the practice plays a central role in the work of David Horvitz, his work is at the opposite of fine art objects...
Kota Ezawa
- location: San Francisco, California
- year born: 1969
- gender: male
- nationality: German
- home town: Cologne, Germany
Lin Yilin
- location: Beijing & New York
- year born: 1964
- gender: male
- nationality: Chinese
- home town: Guangzhou, China
Robert Smithson
- year born: 1938
- gender: male
- nationality: American
- home town: Passaic, New Jersey
Agatha Gothe-Snape
Based in improvisational performance, the meeting point between artistic process and social context is a central theme in Agatha Gothe-Snape’s work...
Lenio Kaklea
Lenio Kaklea is a dancer, choreographer and writer...
Sung Hwan Kim
In his practice, Sung Hwan Kim assumes the role of director, editor, performer, composer, narrator, and poet...
Li Liao
- location: Shenzhen, China
- year born: 1982
- gender: male
- nationality: Chinese
- home town: Hubei Province, China
Helina Metaferia
Helina Metaferia is an interdisciplinary artist working across collage, assemblage, video, performance, and social engagement...
© » ARTNEWS
this quarter (02/12/2024)
Pro-Palestine Protestors Interrupt Tania Bruguera Event in Berlin Skip to main content By Alex Greenberger Plus Icon Alex Greenberger Senior Editor, ARTnews View All February 12, 2024 10:46am Tania Bruguera performing Where Your Ideas Become Civic Actions (100 Hours Reading The Origins of Totalitarianism) at the Hamburger Bahnhof...
© » OBSERVER
this quarter (02/09/2024)
Arts Review: “Anida Yoeu Ali: Hybrid Skin, Mythical Presence” | Observer ‘Water Birth, The Red Chador: Genesis I,’ Kaiona Beach, Oahu, USA, 2019, Anida Yoeu Ali, Cambodian American, b...
© » SLASH PARIS
about 3 months ago (01/16/2024)
Chris Cyrille — Récitatif — L’ahah Griset — Performance — Slash Paris Connexion Newsletter Twitter Facebook Chris Cyrille — Récitatif — L’ahah Griset — Performance — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Précédent Suivant Chris Cyrille — Récitatif Performance Performance, poésie À venir Portrait de Chris Cyrille Chris Cyrille Récitatif Dans environ un mois : Vendredi 22 mars 2024 à 19:00 Chris Cyrille Lecture performée de “Récitatif” Le 22.03.24 à 19h L’ahah #Griset 4 cité Griset, 75011 Paris Les tableaux de Bernard Gaube sont hantés par la question de l’oralité...
© » SLASH PARIS
about 3 months ago (01/16/2024)
Chris Cyrille — Récitatif — L’ahah Griset — Performance — Slash Paris Login Newsletter Twitter Facebook Chris Cyrille — Récitatif — L’ahah Griset — Performance — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Chris Cyrille — Récitatif Performance Performance, poetry Upcoming Portrait de Chris Cyrille Chris Cyrille Récitatif In about 1 month: Friday, March 22, 2024 at 7 PM Chris Cyrille Lecture performée de “Récitatif” Le 22.03.24 à 19h L’ahah #Griset 4 cité Griset, 75011 Paris Les tableaux de Bernard Gaube sont hantés par la question de l’oralité...
© » ROYAL ACADEMY
about 4 months ago (12/12/2023)
A History of Performance Art | Blog | Royal Academy of Arts Pussy Riot’s protest performance Illustration by Lucinda Rogers A History of Performance Art Read more Become a Friend A History of Performance Art By Kelly Grovier Published 16 October 2023 With Marina Abramović taking over the Main Galleries at the RA, we look at some other artists who have shaped the history of performance art...
© » THEARTNEWSPER
about 4 months ago (12/11/2023)
Marina Abramović spreads the love in one-off performance at the Royal Academy Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Diary blog Marina Abramović spreads the love in one-off performance at the Royal Academy Against backdrop of turbulent real-world events, crowds gathered and hugged for Unconditional Love recital The Art Newspaper 11 December 2023 Share Marina Abramović performs An Invitation to Love Unconditionally in the Annenberg Courtyard at the Royal Academy of Arts, London...
© » THEARTNEWSPER
about 4 months ago (12/08/2023)
Looking for love: one-off Marina Abramović performance sells out in hours Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Diary blog Looking for love: one-off Marina Abramović performance sells out in hours The queen of performance art is making a rare appearance at the Royal Academy in London The Art Newspaper 8 December 2023 Share Marina Abramović will be staging a one-off performance in London on Monday Marina Abramović, The Artist is Present , 2010...
© » LITHUB
about 4 months ago (12/08/2023)
Plain-Spoken Performance Art: A Conversation with Laurie Anderson ‹ Literary Hub Craft and Criticism Fiction and Poetry News and Culture Lit Hub Radio Reading Lists Book Marks CrimeReads About Log In Literary Hub Craft and Criticism Literary Criticism Craft and Advice In Conversation On Translation Fiction and Poetry Short Story From the Novel Poem News and Culture The Virtual Book Channel Film and TV Music Art and Photography Food Travel Style Design Science Technology History Biography Memoir Bookstores and Libraries Freeman’s Sports The Hub Lit Hub Radio Behind the Mic Beyond the Page The Cosmic Library Emergence Magazine Fiction/Non/Fiction First Draft: A Dialogue on Writing Just the Right Book Keen On Literary Disco The Literary Life with Mitchell Kaplan The Maris Review New Books Network Open Form Otherppl with Brad Listi So Many Damn Books Thresholds Tor Presents: Voyage Into Genre Windham-Campbell Prizes Podcast WMFA Reading Lists The Best of the Decade Book Marks Best Reviewed Books BookMarks Daily Giveaway CrimeReads True Crime The Daily Thrill CrimeReads Daily Giveaway Log In Via Columbia University Press Plain-Spoken Performance Art: A Conversation with Laurie Anderson Brooke Wentz Talks to the Legendary Artist about Art School, Eavesdropping, and the Avant-Garde By Brooke Wentz December 8, 2023 The first thing you notice about Laurie Anderson is her voice...
© » MODERN MET ART
about 5 months ago (12/01/2023)
Epic Performance Animates JR's Paris Opera Façade Home / Art / Installation Epic Performance Animates JR’s Paris Opera Façade By Jessica Stewart on December 1, 2023 Photo courtesy of Palais Garnier In September, when JR transformed the façade of the Paris Opera House into a Platonic cave, it was only the first sign of what was to come...
© » SOUTH CHINA MORNING POST
about 5 months ago (11/23/2023)
Hong Kong art space Current Plans – previously known as Present Projects – is closing in Sham Shui Po because of rising rents...
© » ARTLYST
about 6 months ago (10/09/2023)
Following its display at the General Idea retrospective in Stedelijk Museum Amsterdam The post AIDS Sculpture By General Idea Finds Permanent Home In Amsterdam Park appeared first on Artlyst ....
© » ARTS EQUATOR
about 15 months ago (01/18/2023)
artn’t: Thailand’s Rebel Artists | ArtsEquator Skip to content Nutcha Tantivitayapitak and Sudarat Musikawong travel to Chiang Mai, Thailand to shine a light on the artn’t Collective, who are currently facing numerous legal charges for works that are viewed as critiquing the state...
© » LARRY'S LIST
about 19 months ago (10/05/2022)
Performance Exchange will show work this weekend by artists including Helen Cammock, Abbas Zahedi and Tim Etchells in collaboration with ten commercial spaces...
© » LARRY'S LIST
about 19 months ago (10/05/2022)
The National Gallery of Victoria is joining an international project to work out how to acquire and store performance art for posterity....
© » ARTS EQUATOR
about 21 months ago (08/09/2022)
A Response to ‘Every Thought I’ve Ever Had: Contemplating the Origin of the Sun’ | ArtsEquator Skip to content Veteran playwright Leow Puay Tin is intrigued by the methods used by a trio of young performance makers to sustain a 12-hour performance...
© » THE JEALOUS CURATOR
about 25 months ago (04/02/2022)
Soooo, when Malcom Gladwell’s podcast network reaches out to you and says, “Hey Danielle, would you like to share part of an interview we did with Marina Abramović with your listeners”, you say, “ummm, OKAY!” I’ve put a little mini episode together, featuring a 20 minute excerpt from their show, “Talk Easy with Sam Fragoso”...
© » ARTS EQUATOR
about 31 months ago (09/29/2021)
Performance Making during a Pandemic: Of Innovation, Form and Embeddedness | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Kornkarn Rungsawang September 29, 2021 By Adriana Nordin Manan (1,000 words, 3-minute read) If arts panel discussions are meant to reflect the times, “Critical Responses to Performance-Making in A Post-Pandemic World” positioned itself well: at this stage of the pandemic, it was less about open-ended contemplation of how the performing arts can retain vitality amidst the prohibitive circumstances, and more about sharing examples of performances that exemplify the act of moving ahead despite the barriers...
© » ARTS EQUATOR
about 31 months ago (09/20/2021)
The working processes of artists: Sonia Kwek | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints September 20, 2021 “Probably your body is the one space you can be the most autonomous still”, says artist and performer Sonia Kwek...
© » ARTS EQUATOR
about 42 months ago (11/10/2020)
Harrowing and sublime: Topography of Breath 2.0 by Pat Toh | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Pat Toh November 10, 2020 By Chan Sze-Wei (739 words, 4-minute read) In grainy close up, we see segmented views of one woman, fighting to breathe with every fibre of her sinewy body...
© » ARTS EQUATOR
about 45 months ago (08/04/2020)
Burning Questions: Is There Still Hope for Integrity and Intimacy in Online Performance? | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints August 4, 2020 Artists today have to grapple with being true to their creative integrities while dealing with the limitations of tech platforms and live delivery methods...
© » ARTS EQUATOR
about 45 months ago (07/28/2020)
Burning Questions: Tech in Performance: The Great Leveller or The Great Unequaliser? | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints July 28, 2020 Using technology in performance isn’t new, but COVID-19 has forced more artists to explore the digital medium, dealing with lag, latency and liveness while rethinking audience engagement and accessibility...
© » ARTS EQUATOR
about 47 months ago (06/22/2020)
The working processes of artists: NADA | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles June 22, 2020 Artists Rizman Putra and Safuan Johari of the duo NADA talk about the evolution of their artistic practice, from being a fictional band at the Malay Heritage Centre to becoming an international art/music juggernaut...
© » ARTS EQUATOR
about 52 months ago (01/22/2020)
Weekly Southeast Asia Radar: Jakarta's controversial Performance Art Club; Bangkok Art Biennale | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar 69 Performance Club January 23, 2020 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...
© » ACAW
about 55 months ago (10/25/2019)
- Asia Contemporary Art Week Asia Contemporary Art Week ABOUT Consortium Partners PRESENTED ARTISTS FIELD MEETING ABOUT FIELD MEETING TAKE 6: THINKING COLLECTIONS (2018) TAKE 5: THINKING PROJECTS (2017) TAKE 4: THINKING PRACTICE (2016) TAKE 3: THINKING PERFORMANCE (2015) TAKE 2: AN AFTERTHOUGHT (2015) TAKE 1: CRITICAL OF THE FUTURE (2014) FIELD REVIEW ABOUT FIELD REVIEW ISSUE 1: SOUTH ASIA ISSUE 2: MIDDLE EAST PAST EDITIONS ACAW 2002 – 2018 PRESENTED ARTISTS PRESS PRESS RELEASES PRESS COVERAGE Announcements Posted on Friday, October 25, 2019 · Leave a Comment ASIA CONTEMPORARY ART WEEK (ACAW) is taking a programmatic sabbatical in 2019 to plan our programs for 2020 and beyond...
© » ACAW
about 57 months ago (08/21/2019)
NIKHIL CHOPRA | PERFORMANCE | THE MET MUSEUM - Asia Contemporary Art Week Asia Contemporary Art Week ABOUT Consortium Partners PRESENTED ARTISTS FIELD MEETING ABOUT FIELD MEETING TAKE 6: THINKING COLLECTIONS (2018) TAKE 5: THINKING PROJECTS (2017) TAKE 4: THINKING PRACTICE (2016) TAKE 3: THINKING PERFORMANCE (2015) TAKE 2: AN AFTERTHOUGHT (2015) TAKE 1: CRITICAL OF THE FUTURE (2014) FIELD REVIEW ABOUT FIELD REVIEW ISSUE 1: SOUTH ASIA ISSUE 2: MIDDLE EAST PAST EDITIONS ACAW 2002 – 2018 PRESENTED ARTISTS PRESS PRESS RELEASES PRESS COVERAGE Announcements NIKHIL CHOPRA | PERFORMANCE | THE MET MUSEUM Lands, Waters, and Skies September 12 thru 20, 2019 If you missed Chopra’s enrapturing performance at ACAW FIELD MEETING in Dubai this January, brace yourself for his remarkable new performance at The Metropolitan Museum of Art in New York this fall! Similar to a nomadic traveler, across 9 consecutive days, the Indian artist will move throughout the museum’s galleries through a series of dramatic character transformations while creating a monumental drawing...
© » ARTS EQUATOR
about 60 months ago (05/06/2019)
Podcast 58: Research and Practice in Performance-Making | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Performance (Podcast) May 6, 2019 Duration: 29 min As emerging art-makers having recently graduated from B...
© » ARTS EQUATOR
about 63 months ago (02/25/2019)
“Learning”: Memory, Precision, Uncertainty in a 5-hour Durational Performance at National Gallery Singapore | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Arnaud Bouvier "Learning”, choreographed by Liz Santoro and Pierre Godard February 25, 2019 By Jocelyn Chng (440 words, three-minute read) Part of National Gallery Singapore’s special programme Performing Spaces that explores how space can be a “living organism” facilitating encounters between performers and audiences, Learning takes place over two weekends in March 2019...
© » ARTS EQUATOR
about 68 months ago (09/12/2018)
Q&A: AO Show Creative Director Tuan Le Had a Vision for Performance Art in Vietnam (via Saigoneer) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles September 13, 2018 Some may say that modern performance art in Vietnam looks the way it does thanks to the works of Tuan Le and his colleagues...
© » ARTS EQUATOR
about 70 months ago (07/25/2018)
OPEN CALL: Performance Criticism Mentorship with Corrie Tan | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints July 25, 2018 Performance Criticism Mentorship by Corrie Tan, Resident Critic, ArtsEquator.com How does it work? You’ll attend six performances between September 2018 – March 2019 ...
© » ARTREPORT
about 100 months ago (01/28/2016)
Performance Art And Interactive Booths Take LA Art Show – Art Report News ARTISTS Artist Highlights Artist Interviews Studio Visit VIDEOS ART+ Community Listicles No Result View All Result News ARTISTS Artist Highlights Artist Interviews Studio Visit VIDEOS ART+ Community Listicles No Result View All Result No Result View All Result Performance Art And Interactive Booths Take LA Art Show by Christina Lee Jan 28, 2016 in Featured 0 LA Art Show 2016, Los Angeles Convention Center, Photo: Everest Share on Facebook Share on Twitter LA Art Show at the Los Angeles Convention Center...
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1970-1979
Julius Koller
1978This work is one of Koller’s many variations which he began to use from 1970 to describe the ‘cultural situations’ he created...
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1980-1989
Julius Koller
Drawing & Print
1982(Drawing & Print) Wordplay was a central focus of Koller’s work, in particular the acronym U...
Paul McCarthy
1983McCarthy’s Mother Pig performance at Shushi Gallery in 1983 was the first time he used a set, a practice which came to characterize his later works...
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1990-1999
General Idea
1993AIDS Ring by General Idea is a cast metal ring, which takes as its basis Robert Indiana’s iconic “LOVE” design, appropriating its pop aesthetic, and totalizing, simplistic universal messaging to instead emphasize the severity of the AIDS epidemic that occurred in the 1970s...
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2000-2009
Roman Ondak
Drawing & Print
2003(Drawing & Print) As the caption purposely admits, these drawings were made by friends of Ondák’s at home in Slovakia asked to interpret places he has journeyed to...
Roman Ondak
2003This work needs to be considered in relation to one of his performances during which people were made to queue in front of the Kunsthalle of Frankfurt in 2003 (Tate Collection)...
Tino Sehgal
2004Tino Sehgal’s This Exhibition requires an interpreter (in this particular piece, a gallery attendant) to faux faint each and every time a visitor enters into a given space...
Prinz Gholam
2006Ein Ding Mehr , or ‘one more thing,’ is part of a long-term collaborative performance series by artists Wolfgang Prinz and Michel Gholam, which consist of the pair embodying an array of material through holding various poses for extended periods of time...
Trisha Donnelly
2007Untitled is a black-and-white photograph of a wave just before it breaks as seen from the distance of an overlook...
Sung Hwan Kim
Drawing & Print
2007(Drawing & Print) Sung Hwan Kim created the drawing push against the air 01 during a rehearsal for his eponymous 2007 performance at De Apple (as part of Prix de Rome), Amsterdam, and Project Arts Centre, Dublin...
Paul McCarthy
2008Memory Mistake of the Eldridge Cleaver Pants was created for the show Paul McCarthy’s Low Life Slow Life Part 1 , held at California College of the Arts’s Wattis Institute in 2008 and curated by McCarthy himself...
Agatha Gothe-Snape
2008Agatha Gothe-Snape’s POWERPOINTS is an ongoing series of digital artworks that have been created with Microsoft PowerPoint...
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2010-2019
Paul McCarthy
Drawing & Print
2010(Drawing & Print) To make Mickey Mouse (2010), Paul McCarthy altered a found photograph—not of the iconic cartoon, but of a man costumed as Mickey...
Nao Bustamante
2010Silver & Gold combines video, performance, and original costumes into a self-proclaimed “filmformance” that evokes the legendary filmmaker Jack Smith and his tribute to 1940s Dominican movie starlet Maria Montez in a magical and joyfully twisted exploration of race, glamour, sexuality, and the silver screen...
Taiyo Kimura
2010Haunted by You documents Taiyo Kimura’s struggle to use a record player, satirizing the normal actions of everyday life in order to question the meanings that underlie ordinary modes of living...
Rabih Mroué
2012The Pixelated Revolution is a lecture-performance by artist Rabih Mroué about the use of mobile phones during the Syrian revolution...
Anne Imhof
Drawing & Print
2013(Drawing & Print) “School of the seven Bells (SOTSB)” is based on a series of hands games in which an object is passed from hand to hand...
Pablo Helguera
Drawing & Print
2015(Drawing & Print) A sly sense of humor is key in Pablo Helguera’s long-running Artoons series, one that includes ~1500 drawings made over ten years...
Duto Hardono
2017Variation & Improvisation for ‘In Harmonia Progressio’ by Duto Hardono is part of a series of work that focuses on sound loops as a fundamental element of his performance – a metaphor that Hardono employs as he examines the human condition, such as time and temporal spatiality...
Lenio Kaklea
2017During the performance A Hand’s Turn visitors are invited to read a text: “I hold a pen with the right hand / move the mouse with the right hand” reads one excerpt...
Kota Ezawa
2017The Crime of Art is an animation by Kota Ezawa that appropriates scenes from various popular Hollywood films featuring the theft of artworks: a Monet painting in The Thomas Crown Affair (1999), a Rembrandt in Entrapment (1999), a Cellini in How to Steal a Million (1966), and an emerald encrusted dagger in Topkapi (1964)...
Native Art Department International
2018The neon sign Walk the Walk (Sam Durant) overlays a Walk/Don’t Walk Sign crosswalk sign onto the text “You Are On Indian Land Show Some Respect.” The sign asks viewers to not walk on Indigenous lands without respecting it, and, switching between a walking person icon in white and a raised hand icon in red, redirects their actions...
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2020-2029
Anne Imhof
2021Anne Imhof’s video work Untitled (Wave) creates resonances between the feminine, adoration, and immateriality, while also referring to the history of art and aesthetics, in particular the concept of the sublime...
David Horvitz
2021On March 30, 2015, at 5:52am, David Horvitz caught his daughter, Ela Melanie, as she was being born, in the back of an Uber driving through Midtown Manhattan...
Helina Metaferia
2023By Way of Revolution is a series that addresses the inherited histories of protest that inform contemporary social movements...
